"Thinking Experimental Animation BEFORE William Kentridge: An Art-Historical U-Turn"
College Art Association 2009 Conference Los Angeles, February 25-28, 2009
http://conference.collegeart.org/2009/
Session Date and Time: Friday, February 27, 2009 2:30 PM – 5:00 PM
Concourse Meeting Room 408B, Level 2, Los Angeles Convention Center
http://conference.collegeart.org/2009/
Session Date and Time: Friday, February 27, 2009 2:30 PM – 5:00 PM
Concourse Meeting Room 408B, Level 2, Los Angeles Convention Center
ANNOUNCING PUBLICATION OF ABSTRACTS OF PAPERS FOR THIS SESSION (only)
PANELISTS:
Dr. Janeann Dill, Institute Director, IIACI: Institute for Interdisciplinary Art and Creative Intelligence (Think Tank)
Professor Erika Suderburg, Departments of Art, Media and Cultural Studies, and Dance, University of California, Riverside.
Dr. Andrew V. Uroskie, Assistant Professor, Modern and Contemporary Art, Photography and the Moving Image, Department of Art and Affiliate Faculty, Comparative Literary and Cultural Studies, Stony Brook University.
Dr. James Tobias, Assistant Professor, Cinema and Digital Media Studies, University of California, Riverside.
College Art Association, the largest association for visual arts professionals, promotes the highest levels of creativity and scholarship in the practice, teaching, and interpretation of the visual arts.
ENTER IIACI to play :30 sec recording and Sign-In.
GO TO: http://interdisciplinaryartinstitute.com
Experimental animation was presented as fine art by its creators long before the art world acknowledged William Kentridge's work, the widely-accepted marker to distinguish animation a "legitimate" language in fine art. Looking beyond the constraining nomenclature of cartoon inherited from Sergei Eisenstein and forwarded by Gilles Deleuze and Rosalind Krauss, this panel visits an earlier history of art practice and critical thinking in experimental animation that was passed over by art history and then relegated to film history, where it was equally ignored. Rooted in the art historical trajectories of experimental animation, experimental film, digital art and expanded cinema, this panel links the critical histories of art, film, and philosophy as one, and serves not only to excavate its panelists’ individual research, but, collectively, to engender a critical authority previously languishing.
GO TO: http://interdisciplinaryartinstitute.com
Experimental animation was presented as fine art by its creators long before the art world acknowledged William Kentridge's work, the widely-accepted marker to distinguish animation a "legitimate" language in fine art. Looking beyond the constraining nomenclature of cartoon inherited from Sergei Eisenstein and forwarded by Gilles Deleuze and Rosalind Krauss, this panel visits an earlier history of art practice and critical thinking in experimental animation that was passed over by art history and then relegated to film history, where it was equally ignored. Rooted in the art historical trajectories of experimental animation, experimental film, digital art and expanded cinema, this panel links the critical histories of art, film, and philosophy as one, and serves not only to excavate its panelists’ individual research, but, collectively, to engender a critical authority previously languishing.
PANELISTS:
Dr. Janeann Dill, Institute Director, IIACI: Institute for Interdisciplinary Art and Creative Intelligence (Think Tank)
Professor Erika Suderburg, Departments of Art, Media and Cultural Studies, and Dance, University of California, Riverside.
Dr. Andrew V. Uroskie, Assistant Professor, Modern and Contemporary Art, Photography and the Moving Image, Department of Art and Affiliate Faculty, Comparative Literary and Cultural Studies, Stony Brook University.
Dr. James Tobias, Assistant Professor, Cinema and Digital Media Studies, University of California, Riverside.
College Art Association, the largest association for visual arts professionals, promotes the highest levels of creativity and scholarship in the practice, teaching, and interpretation of the visual arts.
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